{"id":132659,"date":"2022-05-29T00:01:32","date_gmt":"2022-05-28T22:01:32","guid":{"rendered":"https:\/\/www.pauljorion.com\/blog\/?p=132659"},"modified":"2022-05-29T00:01:32","modified_gmt":"2022-05-28T22:01:32","slug":"mathieu-macheret","status":"publish","type":"post","link":"https:\/\/www.pauljorion.com\/blog\/2022\/05\/29\/mathieu-macheret\/","title":{"rendered":"<b>Mathieu Macheret<\/b>"},"content":{"rendered":"<p>M. Mathieu Macheret est critique de cin\u00e9ma. <\/p>\n<p>Au cours des r\u00e9centes semaines, il \u00e9tait \u00e0 Cannes o\u00f9 il a \u00e9reint\u00e9 dans les colonnes du Monde :<\/p>\n<p>&#8211; La Palme d\u2019Or : <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2022\/05\/22\/cannes-2022-triangle-of-sadness-le-capitalisme-en-phase-terminale_6127239_3246.html\" rel=\"noopener\" target=\"_blank\">Triangle of Sadness<\/a> de Ruben \u00d6stlund<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"396\" class=\"aligncenter\"  src=\"https:\/\/www.youtube.com\/embed\/hOUBXcTz66w\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&#8211; Le Grand Prix (ex-aequo) : <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2022\/05\/26\/cannes-2022-des-etoiles-a-midi-une-cavale-bancale-au-nicaragua_6127761_3246.html\" rel=\"noopener\" target=\"_blank\">Des \u00e9toiles \u00e0 midi<\/a> de Claire Denis<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"396\" class=\"aligncenter\"  src=\"https:\/\/www.youtube.com\/embed\/JOxo7jCCRvA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&#8211; Le Prix sp\u00e9cial : <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2022\/05\/24\/cannes-2022-tori-et-lokita-les-freres-dardenne-entre-generosite-et-manicheisme_6127548_3246.html\" rel=\"noopener\" target=\"_blank\">Tori et Lokita<\/a> des fr\u00e8res Jean-Pierre et Luc Dardenne<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"450\" class=\"aligncenter\"  src=\"https:\/\/www.youtube.com\/embed\/KovHXQRsEtY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&#8211; Le Prix du jury (ex-aequo) : <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2022\/05\/18\/cannes-2022-les-huit-montagnes-une-fable-a-la-morale-compassee-sur-le-retour-a-la-nature_6126691_3246.html\" rel=\"noopener\" target=\"_blank\">Le Otto Montagne<\/a> de Charlotte Vandermeersch avec Felix Van Groeningen<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"450\" class=\"aligncenter\" src=\"https:\/\/www.youtube.com\/embed\/4cvjTr1QPRs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Un remarquable quart\u00e9 !<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M. Mathieu Macheret est critique de cin\u00e9ma. <\/p>\n<p>Au cours des r\u00e9centes semaines, il \u00e9tait \u00e0 Cannes o\u00f9 il a \u00e9reint\u00e9 dans les colonnes du Monde :<\/p>\n<p>&#8211; La Palme d\u2019Or : <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2022\/05\/22\/cannes-2022-triangle-of-sadness-le-capitalisme-en-phase-terminale_6127239_3246.html\" rel=\"noopener\" target=\"_blank\">Triangle of Sadness<\/a> de Ruben \u00d6stlund<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"396\" class=\"aligncenter\" src=\"https:\/\/www.youtube.com\/embed\/hOUBXcTz66w\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[7077],"tags":[7078,5292,3463,8734],"class_list":["post-132659","post","type-post","status-publish","format-standard","hentry","category-cinema","tag-claire-denis","tag-felix-van-groeningen","tag-freres-dardenne","tag-ruben-ostlund"],"_links":{"self":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts\/132659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/comments?post=132659"}],"version-history":[{"count":3,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts\/132659\/revisions"}],"predecessor-version":[{"id":132662,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts\/132659\/revisions\/132662"}],"wp:attachment":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/media?parent=132659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/categories?post=132659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/tags?post=132659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}