{"id":2662,"date":"2009-04-05T14:22:09","date_gmt":"2009-04-05T13:22:09","guid":{"rendered":"http:\/\/www.pauljorion.com\/blog\/?p=2662"},"modified":"2010-09-04T16:52:29","modified_gmt":"2010-09-04T14:52:29","slug":"me-and-bobby-mcgee-iii","status":"publish","type":"post","link":"https:\/\/www.pauljorion.com\/blog\/2009\/04\/05\/me-and-bobby-mcgee-iii\/","title":{"rendered":"Me and Bobby McGee (III)"},"content":{"rendered":"<p>Dans \u00ab La naus\u00e9e \u00bb, Sartre mentionne \u00ab Some of These Days \u00bb, et il \u00e9voque \u00ab la chanteuse noire \u00bb, mais Sophie Tucker, n\u00e9e Sonia Kalish en Russie, n\u2019\u00e9tait pas noire du tout. Ce qui ne l\u2019emp\u00eacha pas d\u2019\u00eatre \u00e0 jamais l\u2019une des grandes dames du blues. <\/p>\n<p><object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/3heCSPJrO70?fs=1&amp;hl=en_US\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/3heCSPJrO70?fs=1&amp;hl=en_US\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\"><\/embed><\/object><\/p>\n<p>Ce qui nous am\u00e8ne \u00e0  notre sujet d\u2019aujourd\u2019hui : Janis Joplin, l\u2019interpr\u00e8te de la version la plus fameuse de \u00ab Me and Bobby McGee \u00bb. La vid\u00e9o est un d\u00e9sastre, aussi fermez les yeux et \u00e9coutez la voix d\u2019une autre grande dame blanche du blues. Pour faire bonne mesure j\u2019ai ajout\u00e9 \u00ab Cry Baby \u00bb. <\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/6iX-EcRKXJw&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/6iX-EcRKXJw&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/JjD4eWEUgMM&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/JjD4eWEUgMM&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>Bette Midler et Wynnona Judd chantant \u00ab The Rose \u00bb, la chanson-th\u00e8me du film du m\u00eame nom (1979 &#8211; mise en sc\u00e8ne Mark Rydell, sc\u00e9nario de Michael Cimino \u2013 si, si [1]), o\u00f9 Bette Midler incarne Janis Joplin dans cette semi-biographie de la chanteuse. Dans ses r\u00e9citals, Bette Midler pr\u00e9sente d\u2019ailleurs des imitations hilarantes de Sophie Tucker&#8230; ce qui boucle la boucle. <\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/9VI6IHX5Mw4&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/9VI6IHX5Mw4&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p>\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013<br \/>\n(1) Je reviendrai bien s\u00fbr un jour sur Heaven\u2019s Gate.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans \u00ab La naus\u00e9e \u00bb, Sartre mentionne \u00ab Some of These Days \u00bb, et il \u00e9voque \u00ab la chanteuse noire \u00bb, mais Sophie Tucker, n\u00e9e Sonia Kalish en Russie, n\u2019\u00e9tait pas noire du tout. Ce qui ne l\u2019emp\u00eacha pas d\u2019\u00eatre \u00e0 jamais l\u2019une des grandes dames du blues. <\/p>\n<p><object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/3heCSPJrO70?fs=1&amp;hl=en_US\"\/><param name=\"allowFullScreen\" [&hellip;]<\/object><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-2662","post","type-post","status-publish","format-standard","hentry","category-arts"],"_links":{"self":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts\/2662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/comments?post=2662"}],"version-history":[{"count":9,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts\/2662\/revisions"}],"predecessor-version":[{"id":15609,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/posts\/2662\/revisions\/15609"}],"wp:attachment":[{"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/media?parent=2662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/categories?post=2662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pauljorion.com\/blog\/wp-json\/wp\/v2\/tags?post=2662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}